April is National Poetry Month, and we’re honored to share a poem, “Cornrows,” from the Queens Poet Laureate, Maria Lisella.
Are you an aspiring poet? Queens Library would like to give you the opportunity to share your verses with the world! Learn more here.
Cornrows
by Maria Lisella
Cheryl’s cornrows are
a maze of braids that crisscross
her round head topping
her dark, Trinidadian neck.
Her mother jelly-coats
her coffee-colored fingers to move
rapid and sure through nappy, crinkled hair.
She pulls one rope of hair
over the other, over the other,
over the other, until
the braids are locked down tight
with barrettes, ribbons, and bows.
Around the corner at Jean's Beauty Parlor
white women plop into wide leather chairs
as metallic chemicals crimp and whip
their soft hair into prim tootsie roll curls.
Across the street, Sylvia’s is crammed
arm to shiny bronze arm with Black women
pressing their hair — make it straight, straight,
straight, shiny, smooth as seals — take the nap out.
Cheryl and I watch Angela Davis,
who never lived in Queens,
the land of smooth and straight,
cry out of the TV.
She raises her fist past a brazen halo
of naturally kinky hair —
letting her ‘fro fly loud and free,
as if her hair said, "I will not hide,
I am trouble, see me now."
Cheryl's cornrows, a puzzle of braids
locked down tight, tight, tight.
I touch my smooth hair,
a single rope down my spine
wishing all the while
best friends could look more alike.
We’re very excited for our upcoming Culture Connection concert on Saturday, March 19, when piano virtuoso Anthony de Mare will perform works from his groundbreaking new CD, Liaisons: Re-Imagining Sondheim from the Piano.
Liaisons, a landmark eight-year project created and co-produced by de Mare, has brought together many of today’s best composers to pay tribute to and adapt the work of Stephen Sondheim and illustrate his genius as one of the greatest composers of the 20th (and 21st) century.
Praised by The New York Times for his “muscularly virtuosic, remarkably uninhibited performance [and] impressive talents,” Mr. de Mare’s professional career over the past 30 years has spanned live performances on five continents, nearly 20 recordings, and over 60 commissioned works, including the 36 compositions in the Liaisons Project. He has been referred to as one of the leading promoters of contemporary music, and pioneered the “speaking/singing” pianist genre by commissioning a variety of composers to create specific theatrical pieces that he would perform solo at the piano.
Mr. de Mare, who currently serves as Professor of Piano at the Manhattan School of Music and New York University, was kind enough to answer some questions for us about the Liaisons Project and his musical background in advance of his performance at Queens Library.
What role, if any, did libraries play in developing your love of music and your decision to become a professional musician?
Since music, theater, and dance were the background to my earliest years, I often went to the local library in East Rochester, NY, where I’m from. At the time, I was quite fascinated by their collection of classical, Broadway, and film score LPs. I used to spend hours flipping through them, listening to many of them there at the library and then often signing them out to bring home. I believe this really added to my motivation to explore all kinds of music as I began embarking on my studies in piano and dance and my involvement in theater programs.
What inspired you to create the Liaisons Project? Can you tell us why the work of Stephen Sondheim is so perfect for this project?
My love for Stephen Sondheim’s work dates back to my childhood, having discovered such shows as A Little Night Music, Company, Follies, and Pacific Overtures early on…which led to an obsessive immersion into his work, especially each time one of his new shows appeared on the theatre scene. I had always wondered what his amazing songs would sound like transcribed as legitimate piano works, much in the same vein as what pianists like Earl Wild had accomplished with Gershwin’s songs, and what Art Tatum did for so many of his contemporaries. This tradition goes back as far as Franz Liszt, but no one had ever done anything like this for the piano with Sondheim’s work in the past 30-40 years, so I thought it was about time.
In the late 1980s, I was invited to create a transcription of one of his songs (“Children and Art” from Sunday in the Park with George) to perform at a summer music festival, and from there I decided I would like to possibly create about 5-6 more of these transcriptions. My performing and teaching career started to take off and got in the way of focusing on a project like that, so I had to shelve the idea for a while…actually a long while. Several composer friends and colleagues kept asking me throughout the 1990s (and into the new century) when I was planning to finally do it. Then in 2006, my good friend, the Pulitzer Prize-winning composer Paul Moravec, encouraged me to seriously pursue this. My idea then was to cast the net wide to a variety of composers from multiple genres (contemporary classical, jazz, theater, film, opera, indie, pop, etc.) to create their own settings or “re-imaginings” of a favorite Sondheim song. With the help of a very talented and dedicated fundraising producer named Rachel Colbert, the project was set afoot.
How did you choose such diverse composers to reinterpret Sondheim’s songs?
There were several composers that I had worked with over the years whom I invited into the project. It was originally going to be about 20-25 works, but the roster kept expanding as the composer genres expanded. Also, Steve [Sondheim] would suggest more composers along the way that seemed perfect for the project and it gradually climbed up to 36—a nice round number—and this provided many options for presenters and possibilities for flexible programming. I wanted to be sure that each composer involved felt a true “connection” to Mr. Sondheim’s work.
Was it difficult for you and the other composers to take Sondheim’s more complex songs and develop them for just one instrument?
The word “re-imagining” is key to this project. I presented each composer with some parameters when they started—they were free to choose any song they felt connected to, and they were asked to retain the original melodic material of the song and most of his original harmonies. They were free to play with the structure, which is where much of the re-imagining seems to have originated for many of them. I requested that they not “deconstruct” the material, although a few actually did.
Since Sondheim’s original musical material in each song is expanded by lyrics and narrative, the challenge for many of the composers was to capture and encapsulate the essence of the lyrics, as well as the mood, ambience, and core of the song’s message, through an instrumental setting. Some composers found this a mighty “challenge”—many commented that the songs were already perfect. Therefore, some went the route of direct transcription for piano; some pieces became more fantasia-like. Each one again is unique to the composer’s individual style, active within the fabric of Sondheim’s original musical material.
What has Mr. Sondheim’s reaction been to the project? Are there any specific interpretations that he has really enjoyed?
Steve was quite intrigued by the idea from the start and very humbled by the fact that so many of these “A-list” composers (as he referred to them back then) were so interested in setting his melodies to the piano. He has been extremely generous throughout the entire eight-year trajectory of this project, offering suggestions, commissioners, constructive ideas, and a strong foundation of support. We would check in with him periodically to give him updates and he always provided a very enthusiastic “go ahead.” He seems to have deep respect for all the compositions in the collection and of course would never say which ones he likes better than others, but there are many that he has made some very distinctively positive comments about.
What can our patrons expect to hear at your concert on March 19?
They will hear a cross-section sampling of works from the collection—about 10-11 pieces. Some are straightforward interpretations of the songs, others have accompanying audio tracks. One of them even has some surprises coming from inside the piano. The re-imaginings for this program are derived from songs from Into the Woods, Anyone Can Whistle, Company, Sunday in the Park with George, Sweeney Todd, Follies, and A Little Night Music. The composers are William Bolcom, Andy Akiho, David Rakowski, Nico Muhly, Steve Reich, Thomas Newman, Fred Hersch, Wynton Marsalis, Duncan Sheik, Jake Heggie, and myself.
I’m sure this will be a difficult question, since there are so many to choose from, but what is your favorite Sondheim composition?
Oh, I love the entire canon of Steve’s work, I always have…therefore, there are just so many of his shows, along with dozens and dozens of songs, that I love so much. He has often said that Sunday in the Park with George is the show “closest to his heart” and I would say that has also always been one of my very favorites. And I would just add that for myself, the more I work and live with this material, the more I learn—it has become a body of work that I hold very close to my own heart, and it is an honor to be able to share it with the world now.
Photo of Anthony de Mare courtesy of Paolo Soriani. Photo of Stephen Sondheim circa 1970 via Wikipedia.
Andrew Jackson (Sekou Molefi Baako) has been Executive Director of the Langston Hughes Community Library and Cultural Center since 1980. He is retiring this year, and Queens Library will miss him, as will the countless people outside the Library whose lives he has enriched. The oldest of triplets, Andrew earned his B.S. at York College (CUNY) and his MLS at Queens College Graduate School of Library and Information Studies (CUNY). Andrew provides extensive outreach to schools, libraries, community organizations, cultural institutions, and correctional facilities, and mentors graduate students and young librarians across the country. We were honored to talk with him about his life and career and the legacy he leaves behind.
When and why did you decide to become a librarian?
I worked at Langston Hughes from 1980 to 1993 before I attended graduate school at Queens College to earn my Master’s in library science. My passion was studying black history, but there were no graduate programs in black history in New York City at that time. The only options were Cornell University upstate and Temple University in Philadelphia. Since I wasn't willing to leave Langston Hughes and the Number 7 train didn't stop at either of these campuses, I decided to get my MLS to learn more about our profession. I was hooked on Langston Hughes and its role in our community and borough. But more, I was hooked on what I was doing as director to provide such rich programs and services to Queens and the broader community.
You describe yourself as an “activist librarian.” What do you think the role of libraries and librarians is in generating positive social change?
I believe we inherit the responsibility to bring libraries to the people and design programs and services that fit their needs, wants, and even the needs and wants they don't know they have. More important, we also have a responsibility to introduce librarianship as a rewarding, enriching, and exciting career to consider, which means we should be extremely interactive with our customers and communities. We need to participate in Career Days, Read-Ins, Black History programs, Library Week, and so on to expose young people to the scope and breadth of what and who librarians are, how rewarding our jobs are, the value of public libraries, and the value of reading as a crucial life skill. And we need to make the library a central part of our community’s growth and development. We can't do that if we are not at the meetings and at the table to have a voice in community affairs and community issues. Librarians have to be visible in their community outside the library’s doors.
Thus, as an activist librarian, I've served on the boards of Queens Public Television and Elmhurst Hospital Center; on the York College President's Advisory Council and Queens College Arts Committee; and on the Louis Armstrong House Museum Advisory Board, the Queens Borough President's African American Heritage Planning Committee, and the Poet Laureate Administrative Committee and General Assembly. I've spoken to school classes and assembly programs, and at black history programs and career days for over 20 years. I'm well-known because I’ve been so visible in the broader community for so long. I know all of our elected officials by first name, and they all know Langston Hughes and know me by first name because of the relationship we've developed over the years.
I've also been an active member of the Black Caucus of the American Library Association since 1992, when I attended the first National Conference of African American Librarians, and a member of the Executive Board since 1996, chairing the Professional Development and Recruitment Committee and Affiliates Committees. I served as Vice President from 2002 to 2004 and as President from 2004 to 2006, and I have remained on the board as a past president to add a voice of experience and mentor new board members. I've mentored graduate students and new ALA members across the country as part of a responsibility passed down to me by my mentors. We have to mentor by example and be visible role models for the next generation.
When there are issues, local and national, librarians have to make their voices heard, and I've been able to do that through my work with the Black Caucus and in my position at Langston Hughes.
What are some of your proudest moments in your 35 years as Executive Director of Langston Hughes Community Library?
It's hard to identify specific proudest moments, as there have been so many, but one is surely the opening of our facility in 1999. This was a long-time dream that I had a part in making real, with a voice in design and site selection. I hope to be around for the opening of our next building expansion as well.
My other proudest moments have to be what I’ve done to grow the visibility of Langston Hughes beyond Corona-East Elmhurst and Queens County and even internationally through my own visibility and activism. Creating the annual Langston Hughes Celebrations and Kwanzaa Celebrations and hosting them for the past 31 years has also been rewarding because they bring hundreds of people to Langston Hughes, including craft vendors, performers, and audience members from across the city and beyond.
I remember back in the day when I first started inviting all these people to our events, they would react as if I were inviting them out to Montauk Point because were not familiar with Queens and thought it was such a distance. Now that has all changed.
You co-edited a book, The 21st Century Black Librarian in America, about the unique issues and challenges for black librarians. Can you describe some of them and what steps you think libraries can take to support librarians of color?
It was clear from reading the essays submitted for this book project that racism still exists in the lives of black librarians across the board in America in this 21st century. By now one would hope this was no longer the case, but it is, as tragic as that is. Too often, librarians of color are not accepted as skilled professionals. They are second-guessed at the Reference Desk and in the boardroom by both colleagues and students, and not taken seriously when making recommendations and giving ideas. Although things are better than in the 20th century, these problems do exist today.
As racism is not solely a black-or-white issue but a diversity issue, I believe libraries and academic institutions must create an environment that makes all library staff members and volunteers feel welcomed and part of the team. The ALA Code of Ethics supports equal rights for all employees. Article Five reads, "We treat co-workers and other colleagues with respect, fairness, and good faith, and advocate conditions of employment that safeguard the rights and welfare of all employees of our institutions." That’s fine in print, but this has to be reinforced from the top down, from boards of trustees to library administration. Progress has been made for sure, but evidently much work still needs to be done for every workplace to be welcoming to all.
You were given five African names in recognition of your commitment to teaching black history and creating cultural programs for the people of Queens. That sounds fascinating! Can you describe how this happened and what your names mean?
I was giving a Kwanzaa presentation for a city agency back in 1993 and booked an African drumming ensemble to perform behind me as I presented the Nguzo Saba, the Seven Principles of Kwanzaa. Prior to their performance, the MC read my bio as part of my introduction, and the performers, who knew me well, mentioned that my American name no longer fit me because of my growth and transition culturally, and that this warranted my having an African name. I gave them the task of finding it. In April 1994, we hosted a 25th Langston Hughes Anniversary Celebration, and I booked this same ensemble to perform. They ended their performance with a full Naming Ceremony where the community and I were both presented with my new names at the same time. In the African tradition, the community has to agree with these names, not just the individual.
The names I was given were: Sekou, which means “warrior”; Molefi, “He keeps tradition”; and Baako, “first born” of the Jackson Triplets. Since then, I received a South African name from a South African choir in 1996: Bhekizizwe, “Take care of your people.” And a former student from Sierra Leone gave me the name Orbai, which means “teacher,” in 1999. I'm proud of these names as I think they accurately fit who and what I've become. I choose to use both names out of respect for my American and African ancestry, and I stand on the shoulders of both.
As a teacher of Black Studies and cultural diversity, what “beginner” books would you recommend to someone who wants to know more about the experiences and history of people of color in America?
That is not an easy question to answer because there are so many works to recommend, but I highly recommend that everyone read From Slavery to Freedom by John Hope Franklin. I also recommend the children’s book Heart and Soul by Kadir Nelson, a great work with incredible illustrations. I also highly recommend They Came Before Columbus: The African Presence in Ancient America by Dr. Ivan Van Sertima.
What advice do you have for the next Executive Director of Langston Hughes Community Library?
I've received numerous messages and questions about my retirement from Langston Hughes, and many express the concern that "no one can fill your shoes or follow in your footsteps.” I certainly appreciate the praise for what we have been able to accomplish during my 35 years at the helm of this institution, and I'm most pleased that the community appreciates my work and efforts over that period. However, I don't believe anyone is indispensable or can't be replaced with the right person. So my advice to my successor is simple. Don't try to follow in my footsteps; it took me 35 years to create them. Just be passionate about the work you will do here. Serve this community and borough from your heart. Create your own path and be yourself.
Photo of Andrew Jackson by Adolfo Steve Vazquez.
We’re excited for our upcoming book salon on Tuesday, January 19, “The Diversity of Romance,” where four talented romance authors—Ursula Renée, Jean C. Joachim, LaQuette, and Kate McMurray—will discuss the romance genre, their works, the need for diverse representations in romance, and what it’s like to be an author in today’s publishing industry.
Ursula Renée was kind enough to answer some questions for us before our January 19 event.
In the spirit of romance, we won't reveal all of Ursula's answers right away! Check back with us every day until January 19 to hear her thoughts.
You became a writer, artist, and photographer by going “from wishing to doing.” Can you talk more about how you found the courage to pursue your artistic goals?
I found the courage when I realized my fear of regret was greater than my fear of failure. I did not want to spend the rest of my life wishing I had done something. Instead, I wanted to enjoy the satisfaction of having at least tried.
You describe your novels as “multicultural historical romances.” How did you decide to write in that specific a genre?
Writing multicultural historical romances gives me the opportunity to explore how diverse groups interact during various time periods. As in the real world, not all the experiences in my books will be pleasant, but my characters will have opportunities to learn from each other and grow as a result.
You’re the past President of Romance Writers of America, New York City. How has that organization helped you and other writers?
Romance Writers of America creates programs that educate authors at every stage of their career. They also promote the romance genre to the general public. As a member of RWA/NYC, I am surrounded by other authors who understand the difficulties of putting words to paper, the pain of rejection, and the anxiety of putting a creation out there for the world to see. The members of my chapter are encouraging, willing to lend a shoulder to cry on, and offer words of encouragement and praise.
You and your fellow writers will talk to our audience about “diverse romance,” romantic fiction that includes people from different cultures, sexual orientations, and more. Can you talk about why supporting diverse romance is so important?
Some people shy away from books with a diverse cast of characters because they believe they cannot relate to them. Our society is composed of people from different backgrounds with various interests. Diverse romance not only reflects these differences, but it demonstrates that despite everything that sets people apart from each other, we have in common the desire to love and be loved.
Some people say romantic fiction is damaging because it creates unrealistic expectations. What is your response to that?
The characters in a romance novel must overcome internal and external conflicts to reach their happily-ever-after or happy-for-now. They are strong and persevere, despite the obstacles tossed in their paths. And their love interests respect them for their achievements and love them despite their flaws. Just like a reader of mystery novels does not expect to step out her door and suddenly become embroiled in a case that will have her involved in high-speed chases and shootouts, a reader of romance novels does not expect to be swept off her feet going about her everyday routine. However, it shouldn’t be unrealistic to expect respect, faithfulness, and love in a relationship.
What advice do you have for other aspiring novelists?
If you want to write a novel, then sit down and write it! Once you have finished writing, understand that you still have a long road ahead of you. No matter the direction you want to take your career, whether traditionally published or self-published, you will have to spend time honing your craft, editing your work, and marketing yourself.
Also, do not go into this expecting you will get rich overnight. The overnight successes are few. We write because we have stories inside us that have to come out.
In 2008, Ursula went from wishing to doing when she purchased a digital camera and registered for an online photography class. Armed with the knowledge she obtained from the class, she spent weekends touring New York with her camera until she finally captured the perfect shot of a sleeping red panda at the Bronx Zoo.
Excited by what she could do when she put her mind to it, Ursula decided to pursue other dreams, including drawing, sculpting, and writing. She dusted off the manuscript she completed years earlier and took advantage of the workshops and conferences offered by the Romance Writers of America, New York City. Thanks to the support and encouragement of the members of RWA/NYC, who would not let her give up after she received rejections, Ursula signed her first publishing contract for her historical romance, Sweet Jazz, which was released in 2014 by The Wild Rose Press, followed by A Bookie’s Odds a year later.
When she is not writing, Ursula enjoys drawing, photography, and stone carving. Ursula is a member of Romance Writers of America, Mystery Writers of America, and Sisters in Crime.
Legendary DJ, VJ, producer, and pioneer hip-hop personality "Uncle" Ralph McDaniels has joined Queens Library as its first Hip Hop Coordinator!
Mr. McDaniels will be working with Queens Library to build relationships within the hip hop community with an eye toward preserving that history and creating archival library collections. He will also be coordinating related programs and events of cultural interest to the Queens community, especially to attract young people into the library. Queens Library began an initiative to preserve and celebrate Queens' hip-hop heritage in 2014.
The announcement ushers in a week of special programs that celebrate the culture, history, and impact of hip hop. The schedule is below. All events are free.
"Hip hop is an important part of Queens' musical and cultural heritage. We need to preserve that history. At the same time, music is a living, breathing way to connect with the community and attract new library users. There's no one better to work with us on building library programs and collections based on hip hop than Ralph McDaniels. He is a media pioneer and was an eyewitness to its birth," said Bridget Quinn-Carey, Interim President and CEO of Queens Library.
Ralph McDaniels said, "The elements of hip hop include MC'ing, DJ'ing, writing/aerosol art, b-boying (dance), and knowledge. Until now, we haven't had the body of knowledge in any organized way. Queens Library can help move that forward locally, nationally, and internationally. The most successful hip-hop artists came from Queens. Hip hop grew out of Queens' jazz legacy. It belongs here."
Celebrate the culture, history, and impact of hip hop with us and our special guests!
Download the Hip Hop History Month brochure.
Monday, November 16, 5:00-6:00 p.m.
The History of FUBU with Keith Perrin
Queens Library at South Hollis, 204-01 Hollis Avenue
Keith Perrin, co-founder of FUBU (For Us, By Us), will discuss how FUBU became one of the most successful urban-clothing companies in history. He will share his story and tell how the company grew from a start-up created with a modest investment to a business worth more than $350 million today.
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Thursday, November 19, 5:00-7:30 p.m.
Hip Hop Behind the Lens with Ken Harris, a.k.a. KENTHEPHOTOGRAPHER
Queens Library at Rochdale Village, 169-09 137 Avenue, Jamaica
Queens-born photographer Ken Harris, a.k.a. KENTHEPHOTOGRAPHER, will discuss pieces from his collection of photographs documenting significant events, celebrities, and everyday life. You never know who will stop by to sign autographs, take pictures, and give shout outs!
You can also be part of our Hip Hop History Show and Tell! Bring your stories, photos, posters, and other mementos, and the Queens Memory Team will digitize your best submissions for the library’s archive and give you a thumb drive of the scans.
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Friday, November 20, 4:00-5:45 p.m.
Universal Zulu Nations presents “Breakin’ Session” with Floor Royalty Crew
Langston Hughes Community Library, 100-01 Northern Boulevard, Corona
Come out and learn the basic breakin’ moves from the early days of Hip Hop culture.
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Saturday, November 21, 1:00-5:00 p.m.
Universal Zulu Nations presents La Conekta Family Day Celebration
Langston Hughes Community Library, 100-01 Northern Boulevard, Corona
Celebrate Hip Hop history and culture as we join together under the umbrella of peace, love, unity, and having fun! Enjoy a day of performances, music, dancing, live art, and many other fun activities for the family.
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Monday, November 23, 4:00-5:00 p.m.
The Art of DJ’ing
Queens Library for Teens, 2002 Cornaga Avenue, Far Rockaway
Learn how DJs create successful careers, from the booth to the airwaves. A “Battle of the DJs” with special guests will follow.
Looking for new music? Look no further than your local Queens Library! Every month, our expert staff will bring you the best of what's new in our collection.
Check out these music recommendations for November!
Cassandra Wilson, Coming Forth by Day
Though she is often labeled a jazz singer, Cassandra Wilson is so much more. She is also a musician, songwriter, and producer who loves to infuse jazz with elements of country, folk, and blues. She’s been working hard since 1986, putting out almost 20 albums of her own and appearing on dozens of others. Her latest, Coming Forth by Day, reinvents the Billie Holiday songbook, breathing fresh life into old standards. You can stream the whole album on Freegal.
Shelby Lynne, I Can’t Imagine
Shelby Lynne is a genre-bending singer/songwriter who has gone from Dixie to California styling in her 13-album career. Her latest record finds her back in the South, adding some twang to her soul and some rock to her rhythm and blues. No matter the style, her pitch-perfect contralto is the perfect emotive tool for her songs from the heart. Listen to the title track.
Kelsea Ballerini, The First Time
Kelsea Ballerini is a country pop singer from Tennessee who grew up singing in church and school choirs. She left college to pursue a musical career and was quickly signed to a country label. Her first single “Love Me Like You Mean It” went to number one on the Billboard country music chart, a feat last achieved by Carrie Underwood in 2006. Her debut album The First Time can be heard in its entirety on Freegal.
Chris Cornell, Higher Truth
Chris Cornell was one of the founders of grunge with his group Soundgarden. They appealed to the heavy metal fans that weren’t quite into the punkier bands like Nirvana or Mudhoney. His career then went something like this: Soundgarden then solo, join Audioslave then solo, Soundgarden reunion tour and then back to solo. He has said that when life on the road gets too loud and crazy, he likes to step back and record quieter material. The solo albums may not sell millions, but they can be more rewarding and satisfying than head-banging. Try “Nearly Forgot My Broken Heart” and decide for yourself.
Alexis Spight, Dear Diary
As a PK (preacher’s kid), Alexis Spight grew up in church in Buffalo, New York. Though she sang in the choir for as long as she can remember, it wasn’t until she was cast on the BET talent show Sunday Best that she realized she could make a career of it. Her brand of urban contemporary gospel made her a popular contestant on that show. Her debut album went to number one on the Billboard gospel chart. Her new album, Dear Diary, is a bit more personal. Listen to the song “Drop That."
Wilco, Star Wars
You can be forgiven for not knowing that Wilco released their ninth studio album, Star Wars. It was a surprise free CD on their website, four years after their last album. Unlike the free U2 album that forced its way into everyone’s iTunes, people actually wanted this one and the critics have hailed it as a welcome return to form for the band. It is experimental without being weird and, like the kitten on the cover, very warm and fuzzy. This may not be the best entry point for newcomers, but fans should be jumping for joy. Check out the song “Magnetized."
Tony Succar, Unity: the Latin Tribute to Michael Jackson
Tony Succar is a Peruvian-American musician and the leader of the Unity Project. Unity seeks to celebrate the music of Michael Jackson with a Latin-orchestrated sound. It is a bold step that brings the Jackson hits to another level of intensity. Tony is helped by stars like Jon Secada, Tito Nieves, and Jean Rodriguez, who all add their unique sounds to the mix. If you are a fan of Michael Jackson but never really gave Latin music a try, this is a great gateway. You can watch some videos on the project’s YouTube channel.
Meek Mill, Dreams Worth More Than Money
Meek Mill is a hip-hop artist from Philadelphia. When he isn’t getting into fights with Cassidy and Drake, he puts out some incredible tracks. His latest album, Dreams Worth More Than Money, was supposed to be released last year, but his probation was revoked and the record label thought it best to wait until he was free and able to promote it. If Meek can manage to stay out of jail, he can pretty much write his own ticket, since the delayed album went to number one as soon as it was released. Listen to the lead single "All Eyes On You.”
Faith No More, Sol Invictus
Faith No More are an influential funk metal band that started in 1981 and influenced everyone from Nirvana to Slipknot. They started a ten-year hiatus in 1998 and then came back for a reunion tour that went so well they started to record new material. Sol Invictus is their first new album since 1997, and it stays true to their signature sound while also incorporating some goth and indie-rock vibes. This could be a new beginning for an old favorite. You can listen to all 10 tracks courtesy of Freegal.
Jason Derulo, Everything is 4
Jason Derulo is a singer and dancer from Florida who became a household name as a judge on So You Think You Can Dance?. You may also know his smash singles “Wiggle” and “Talk Dirty,” which were worldwide hits. His fourth album is appropriately titled Everything is 4 and the first single “Want to Want Me” was the most-added track to American Top 40 radio in history. He has won several R&B awards and is poised to win more. Watch the video for his latest single “Cheyenne."
Halloween is on its way, and we asked our librarians to share some favorite terrifying tales from books, movies, children’s literature and more!
Do you have a scary story you'd like to add? Contact us and we might add it to this gruesome list!
Silver darts swerving madly
hues of rainbows floating angelically
half cats gliding along the pebbled water roads little pink crabs scuttling along the sandy shore rows of spears along a sleek menacing predator looking for prey a mysterious giant (bubblegum) squid waiting in the deep dark shadows of the most perilous waters swerving, floating, gliding, scuttling, looking, waiting fish of the 7 oceans.
Silver darts swerving madly
hues of rainbows floating angelically
half cats gliding along the pebbled water roads little pink crabs scuttling along the sandy shore rows of spears along a sleek menacing predator looking for prey a mysterious giant (bubblegum) squid waiting in the deep dark shadows of the most perilous waters swerving, floating, gliding, scuttling, looking, waiting fish of the 7 oceans.
“I manage the DVD collection at Central Library, and there is one movie we have that I find very scary—The Collector, with Terence Stamp and Samantha Eggar, based on the novel by John Fowles. There’s no bloodshed, no big teeth and no imaginary monsters; what’s terrifying about it is that it could easily happen in real life.” Marina Rudko, Librarian, Central Library
“One of my favorites is Paul Galdone’s version of The Teeny-Tiny Woman. I love it because it’s for young kids and a little scary, but not enough to really frighten them. It’s also funny and has a surprise ending, and it’s great to read aloud. I love the illustrations in this version, too!” Mary Blieka, Children’s Librarian, Queens Library at Flushing
“Stephen King wrote two short stories, ‘The Raft’ and ‘The Mist,’ which both appear in his book Skeleton Crew. Both explore the horror of helplessness. In the first story, some teenagers are stuck in the middle of a lake, cut off from shore by something trying to kill them. In the second, a group of townspeople are trapped in a supermarket, surrounded by the mist—and what’s in it—and unable to venture out. I can’t imagine anything worse than being in a situation where there is no hope for escape.” Daniel Thom, Senior Librarian, Information Access Services, Central Library
“I have a great young-adult pick: Welcome to the Dark House by Laurie Stolarz. Imagine an ’80s slasher movie taking place on the set of The Real World, and you’ve got some great old-school horror with a reality show twist. For six contestants, it’s the chance of a lifetime: to meet and possibly be in their favorite director’s next horror movie. Shortly after settling in, the group starts experiencing strange things, including one member going missing, cryptic messages and bloodstains. But is it all part of the movie?” Rosemary Kiladitis, Children’s Librarian, Queens Library at Pomonok
“I recall reading Edgar Allan Poe’s The Masque of the Red Death when I was fifteen. It was a riveting read. It’s short and concise, with nightmarish imagery. The story is quite frightening because it mixes the vivid images of the splendor of the Prince’s court with the hideous specter of the Red Death. It examines the fear of illness and death, which even the most privileged people in the kingdom are at a loss to cope with. What a haunting story!” Daniel Zaleski, Senior Librarian, Programming and Outreach, Central Library
This past June, Queens Borough President Melinda Katz swore in Astoria resident and Queens native Maria Lisella as the new Queens Poet Laureate. Maria will be joining us at Central Library on Sunday, October 11 at 2:00 p.m. for our Open Mic for Poets.
Maria Lisella is the sixth poet to serve as the borough’s Poet Laureate. Born in South Jamaica, Queens, Maria moved with her family to Bellerose and lived as a student in Flushing before she settled in Astoria 40 years ago. Maria graduated from Queensborough Community College and Queens College, earned a Master’s degree from NYU-Polytechnic School of Engineering, and studied Social Media at the Columbia University Graduate School of Journalism.
Maria is the author of three books of poetry: the recently published collection Thieves in the Family and the chapbooks Amore on Hope Street and Two Naked Feet. Her poetry has also been published in Feile-Fiesta, LIPS, Paterson Literary Review, Skidrow Penthouse, The New York Quarterly, First Literary Review East, and Pirene’s Fountain. Maria won Honorable Mention in the 2014 Allen Ginsberg Poetry Award competition and is a charter member of brevitas, an online poetry circle.
Maria has also been a travel writer and editor for 30 years, visiting 60 countries during her career and developing a familiarity with many different cultures. Her travel writing has appeared in numerous outlets, including USA Today, Travel + Leisure, The Dallas Morning News, and FOXNews.com. She also contributes to La Voce di New York, an Italian and English bilingual online newspaper.
We were pleased to speak with Maria recently about her career, her plans for her new position, and more.
You were born and raised in Queens. What role has Queens Library played in your life?
When I was a young child, my father went to night school to study engineering. Each night after dinner, he went to the library to do homework, and I joined him. I can still recall the comforting aroma of the library's furniture, oak chairs and tables; the silence in the reading room; the enormous comfort of being able to read anything I wanted; having a million books around me. One of the first cards I ever got was a library card—it was my ticket to be with Dad, to learn new things, and spend time with books...the light was always quite golden, the voices hushed, the atmosphere welcoming. Today I sometimes forget and buy a book instead of borrowing it; I feel I should get back to the tradition of reading a great book and passing it on to the next person.
How did you decide to apply for Queens Poet Laureate? What was your reaction when you learned you had been chosen?
I competed for the position several years ago, but wasn’t chosen. Since then, I have published two chapbooks and NYQ Books published my first collection of poetry, Thieves in the Family. Additionally, I have been curating a reading series that has become quite successful—so all those facts together convinced me I might have something more to contribute to promoting poetry, particularly in Queens. I was over-the-top thrilled to find out I had won.
We’re excited to partner with you and the Borough President’s office to bring new literary events and programs to the people of Queens. Can you tell us a little about what you have planned, even if it’s in the initial stages?
I think traveling the library circuit with small, intimate readings may reach the most people. A larger project I have planned is a website that would feature poems by Queens poets, some of whom may speak and write in two languages. I proposed that we could run those poets' work in both their native language and English, with an audio component so we can hear the author read the poem in his or her native tongue. No one reads their work in their second language with the same passion as they do in their first, and even if the audience doesn't understand the words, they will feel the intent.
You’ve lived in Astoria for the past 40 years. How do you feel about the changes happening there and the new wave of popularity that Queens is enjoying?
Seeing your neighborhood transform into a real estate investor’s dream brings a confusion of feelings.
Lonely Planet's recent observations about Queens are terrific, and so is the influx of an energetic new population. At the same time, the new arrivals have chosen Astoria more often for affordable rents than for its charm and European quality of life. It’s great Queens is getting some new-found attention, but not if it threatens the people and cultures currently here.
Maybe, as a poet, I read between the lines. Queens neighborhoods are growing, but is it an artificial energy propelling that growth? If this means we can get better schools, libraries with longer hours, and a multitude of enhancements that improve all our lives, that is wonderful, but by and large my own neighborhood is being surrounded by luxury housing, which threatens the current residents.
Can you describe how your work as a journalist and your world travels have inspired your poetry?
I’ve had incredible opportunities to meet people of different cultures and ethnicities, not just here in Queens but in their home countries. Much of my poetry reflects the words of guides, cooks, waiters, or colleagues I have encountered across the globe. I try to give voice to their stories.
Who are some of your favorite authors and poets, and who are you reading now?
This is a hard question, because I read everything, from cereal boxes, to signs on subways, to novels and poetry and short stories. The last few books I’ve read have been by friends or other authors I have featured in the literary series I curate at The Cornelia Street Café and at Sidewalk Café. Those books have included a mystery novel, a historic novel, and a memoir, and I have learned something from each of them. My husband is also a writer and poet, and from him I have learned the art of continual revision.
But those who inspired me as a teenager included Rod McKuen, e.e. cummings, and W.B. Yeats. When I entered college, I took one of the first Black Literature courses offered, and there I encountered Mari Evans, Nikki Giovanni, and Langston Hughes, all of whom spoke to me, as we were all outsiders. I think James Baldwin is among America’s finest, most searing authors. For poets, I would choose Philip Levine, Lucille Clifton, Maria Mazziotti Gillan, Paola Corso...and so many others.
What advice do you have for aspiring poets who are trying to find their voice, and for people who find poetry intimidating?
Read everything; listen to everything; edit everything over and over. Follow living authors you love; if you live in New York City, you are so close to other writers. Don’t be afraid of any of them…but go to their readings with the intention of listening. Take notes, ask questions. Find a workshop suited to you; or ask if a poet you like will be offering a workshop, and study with him or her. Keep a journal; write notes that do not have to make sense; write down your dream fragments. Keep fit physically, as it clears your mind.
Sometimes the most important poem takes you a decade to really complete. For instance, you may have a conflicted relationship with someone, but find it hard to write about it. You might be surprised—that scrap of a note to yourself that you write now may kick off a feeling in five years related to the relationship that is troubling you so, and, bit by bit, you will find the words to fit that relationship. And when you do, you may be opening the door for another person who has a similarly tough relationship, and you may show that person how to deal with it just by giving voice to your experience. Just letting others know they are not alone in the way they feel is a very gratifying accomplishment for a writer.
Looking for new music? Look no further than your local Queens Library! Every month, our expert staff will bring you the best of what's new in our collection.
Check out these music recommendations for October!
The Weeknd, Beauty Behind the Madness
The Weeknd (real name Abel Tesfaye) hails from Ontario and is currently the king of the Billboard R&B chart. His second album, Beauty Behind the Madness, already has 3 hit singles and is, so far, the second best-selling CD of 2015. He cites Prince and Michael Jackson as his main influences and it is easy to hear how he channels those artists in his songs. The music has great crossover appeal, so don’t be surprised when people over 35 start tuning in. Check out the video for “Can’t Feel My Face.”
Vince Staples, Summertime ‘06
Vince Staples is a rapper from California who is part of the group Cutthroat Boyz. Summertime ‘06 is his debut solo album and it has caught a critical wave of praise for his lyricism and production. Vince is a former gang banger who chose to follow a musical path away from the dead-end street he was on, and his experiences are reflected in his songs. Though the topics may not be new, his approach and style are definitely not old school. Hear for yourself on the song “Señorita."
Hilary Duff, Breathe In. Breathe Out.
It has been eight years since actor/singer Hilary Duff’s last record, but Breathe In. Breathe Out. is finally here and her fans have not forgotten her. The album debuted at number 5 on the Billboard Top 200 and received generally good reviews. On BIBO, Hilary sticks with the pop/glam/dance formula that has worked so well for her in the past. And while being labeled as “mindless pop fun” might be seen as a negative, in this case it is entirely accurate and a positive critique. So, get ready to dance and stream the whole album now from Freegal.
NF, Mansion
NF is short for Nate Feuerstein, who is a gospel rapper from Michigan, and Mansion is his debut album. If the term “gospel rap” makes you think NF is a robed choir boy, think again. His style is all raw emotion and passion with heavy beats straight from a horror movie soundtrack. It is the modern equivalent of fire and brimstone. You won’t be hearing this in church anytime soon, but it may inspire you to visit. Give the video for “Intro” a try.
Rap Club, Hot! Fresh! Delicious!
In North Carolina, the New Hanover Public Library has a rap club. To quote their mission statement, “Research has shown that children who are better rhymers are better readers. Rap Club gives children the opportunity to play with language and express themselves in a creative way." They decided to record an album and the result is Hot! Fresh! Delicious!. It is absolutely charming and a call to arms to Queens Library to show them we can do it, too! Until then, check out the video they made for “No Food is Allowed in the Library."
Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit
Australian musician Courtney Barnett has become this year’s darling of the indie music scene. Her songs are getting radio play on alternative rock stations as well as NPR. Courtney’s lyrics run from whimsical and surreal to darkly comic and her lyrical style is like a cross between Bob Dylan and Kurt Cobain. Her debut full-length album Sometimes I Sit… is already on many "best of 2015” lists, and you can stream every song from Freegal.
Various Artists, Loose the Funk: Rarities from the Jewel/Paula Vaults
Record collectors have always known that digital music providers like Pandora, Spotify, and even iTunes don’t have everything. Many still prowl through dusty record bins at flea markets and garage sales looking for lost treasure. Others wait for label compilations like Loose the Funk to do the work for them. Taken from the vaults of Jewel Records and its subsidiary label, Paula Records, both in Louisiana, these tracks from the 1960s and '70s have roots in jazz, blues, and gospel, but they all cross over to the funk. There’s a party going on here and you’re invited. Start with “Prove It” by the Genies.
Titus Andronicus, The Most Lamentable Tragedy
Titus Andronicus is a punk band from New Jersey with a Shakespearean name and a lot of conceptual music. Their current album is a 29-song rock opera about the lead singer/songwriter’s manic depression. His name is Patrick Stickles and he must be tough to work with as the band has had over 20 former members in its ten-year career. That said, they have plenty of fans and have appeared on late night TV several times. The music is fast, loud, and theatrical. Watch a 15-minute video from the new album’s second act, "The Magic Morning."
Elvis Perkins, I Aubade
Elvis Perkins is a folk-rock musician who had success with his first two albums but has been out of sight for the past five years. That is his real name, by the way. His father is famous Psycho actor Anthony Perkins, who was a huge Elvis Presley fan. As for his new album I Aubade, it's a lo-fi collection of poem songs that demand repeated listening to be fully appreciated. This may be worrisome to his fans, who are more used to the exuberant and anthemic songs of his previous albums. Here, his sly songcraft shows a talent for rhythmic poetry that complements his plaintive, dreamy vocal style. Listen to his song “Hogus Pogus."
The Skints, FM
The Skints are a ska/punk/reggae outfit from London known for their live shows and infectious grooves. Their lyrics are always about how hard life is in East London, but their melodies are sunny and light. Their third album, FM, is a concept album about a fictional radio station and the influence its music and DJs have on the lives of down-and-out kids. Playing with that concept, they do cover versions of influential songs by artists such as Lily Allen and Black Flag. Check out their video for the song “This Town."
Looking for new music? Look no further than your local Queens Library! Every month, our expert staff will bring you the best of what's new in our collection.
Check out these music recommendations for September!
Lila Downs, Balas y Chocolate
Lila Downs is an American-Mexican singer-songwriter who has lived throughout Mexico and the USA. She sings in many indigenous Mexican languages, such as Mixtec, Mayan and Zapotec, but her song arrangements are not always so traditional. The title of her latest album translates to “Bullets and Chocolate,” although the concept is more about ideas and strength. Her songs may have roots in political folk music but Lila has recorded in many styles, including rap, rock, flamenco and ska. Check out the title track.
Casey J, The Truth
Casey J is an elementary school teacher from Atlanta who has been singing gospel since she was 12 years old. Her pastor encouraged her to record the Will Reagan tune “Fill Me Up” and it soon became a radio hit. With that kind of encouragement, she recorded the whole album The Truth live at the Fresh Start church in Duluth. It went immediately to number one on the Billboard gospel chart the week it was released. Watch the lyric video for "Fill Me Up."
Various Artists, The Rough Guide to Psychedelic Salsa
There are dozens of titles in the Rough Guide series and most of them are worth your time. One of the latest focuses on psychedelic salsa, which could easily be dismissed as “Santana at Woodstock” but is so much more. Yes, the Sixties are represented, but so are many current bands with new ideas on what it means to be psychedelic. From synth effects to warped trumpets, these songs are not the typical soundtrack at your local Mexican restaurant. The Rough Guide folks have even created a YouTube playlist for the CD.
Prince Royce, Double Vision
Prince Royce is a pop singer from the Bronx who, until now, has recorded primarily songs in Spanish. Double Vision is his first English-language album, but there is still a hint of Latin soul in its grooves. The songs are primarily modern R&B, slow ballads and up-tempo numbers to fit many moods. Snoop Dogg, Jennifer Lopez and Tyga are featured on various tracks, but the star is undoubtedly Prince Royce. You can hear the entire album on Freegal.
Best Coast, California Nights
Best Coast is a primarily indie rock duo from Los Angeles consisting of singer-songwriter Bethany Cosentino and multi-instrumentalist Bobb Bruno. Their dreamy, sometimes droning (yet catchy) sound is influenced by 1960s surf and garage bands, the Go-Go’s and My Bloody Valentine. Although the group was formed in 2009, they would have fit right in at Lollapalooza 1994. They seem to be finding favor with young fans who like to play real instruments and use analog gear. Watch the video for the new album’s title track.
Wale, The Album About Nothing
Is that Jerry Seinfeld guesting on a rap album? It certainly is! D.C. rapper Wale has a history of compiling Seinfeld-themed mixtapes, and his latest CD takes that concept to the next level. Jerry acts as a narrator for the songs while Wale does his go-go influenced raps on all manner of social issues. This could be the start of a new trend in hip hop, sampling sitcoms as a point/counterpoint to the lyrics. Hear what that sounds like on the song "Matrimony."
James Bay, Chaos and the Calm
English singer-songwriter James Bay is currently being featured in Apple Music ads as an artist "you are about to love." You have to love someone who says they attended the School of Wearing Silly Hats. He is a classically-trained guitarist and his vocal style is sensitive but strong. Fans of Hozier or Sam Smith should appreciate Bay’s debut album. Watch the video for his first single "Let It Go."
Neil Young, The Monsanto Years
Neil Young, the godfather of grunge, likes to write impulsive songs when he’s angry. The most famous example is "Ohio," which he wrote after the shootings at Kent State in 1970. His latest target is corporate America and its stranglehold on politics, our economy and, ultimately, our lives. It is obvious that this album was put together quickly; it lacks polish and editing that could have made it more radio-friendly. However, Neil’s wrath cannot be conveyed in a pretty consumer-ready package and that is the point. Watch as he takes on a well-known coffee shop chain in the video for "A Rock Star Bucks A Coffee Shop."
Lord Huron, Strange Trails
Ben Schneider started Lord Huron as a solo project in Los Angeles in 2012 but soon enlisted a full band to realize the sound he wanted. The music is best defined as indie folk, but elements of country and world music are also evident. Their second CD Strange Trails is a concept album with stories of characters who inhabit a dark apocalyptic dream world. The band is pretty mysterious and vague during interviews and they prefer to let the music do the talking. Hear a whole album of what they have to say on Freegal.
Jamie Foxx, Hollywood
If you only know Jamie Foxx from his TV comedy show or as the actor who played Ray Charles and Electro (not in the same movie), then you need to check out his musical talent as well. Since 2005, he has been putting out award-winning albums of R&B, soul and rap. His latest effort, Hollywood: A Story of a Dozen Roses, features songs about relationships in the movie capitol and how hard it is to find real love. Although it hasn’t been a hit with the critics, the fans put it at the top of the charts. Check out the song "In Love By Now."