Cover image for Wasting light
Author
Publisher
[S.l.] : RCA Records, 2011.
Description
1 sound disc : digital ; 4 3/4 in.
Call #
CD
Summary
Title from sell sheet. Compact disc. Bridge burning (4:46) -- Rope (4:19) -- Dear Rosemary (4:27) -- White limo (3:22) -- Arlandria (4:28) -- These days (4:58) -- Back & forth (3:52) -- A matter of time (4:36) -- Miss the misery (4:32) -- I should have known (4:16) -- Walk (4:16). Foo Fighters.
Subjects
UPC #
886978449320

 

ID #
1488869

 

Availability

Locationsort iconCall NumberItem TypeVolumeBarcodeStatus
Windsor ParkCDAdult Compact Disc, Music0228537849280Due 4-28-2014
WhitestoneCDAdult Compact Disc, Music0228537856012Available
SunnysideCDAdult Compact Disc, Music0228544907808Available
SeasideCDAdult Compact Disc, Music0228563363032Available
Middle VillageCDAdult Compact Disc, Music0228544894147Available
MaspethCDAdult Compact Disc, Music0228551499657Available
HillcrestCDAdult Compact Disc, Music0228551370759Available
CoronaCDAdult Compact Disc, Music0228544904003Available
Central Media CenterCDAdult Compact Disc, Music0228544886747Available
Central Media CenterCDAdult Compact Disc, Music0228544887034Available
Central Media CenterCDAdult Compact Disc, Music0228544887182Available
Central Media CenterCDAdult Compact Disc, Music0228544886887Available
Central Media CenterCDAdult Compact Disc, Music0228544886739Available
Central Media CenterCDAdult Compact Disc, Music0228544887174Available
BaysideCDAdult Compact Disc, Music0228537846211Available
AstoriaCDAdult Compact Disc, Music0228544897298Available

Reviews and Notes

Music and Video Summary ->  Forget all that nonsense about Dave Grohl listening to the Bee Gees and ABBA when writing Wasting Light. You can even forget Bob Mould's killer cameo on "Dear Rosemary,” no matter how seamlessly the Hüsker Dü frontman’s patented growl slides into the Foo Fighters' roar. What really matters is that nearly ten years after Songs for the Deaf, Josh Homme's influence finally rears its head on a Foo Fighters record, Dave Grohl leading his band of merry marauders -- including Pat Smear, who returns to the fold for the first time since 1997’s The Colour and the Shape -- through the fiercest album they’ve ever made. Nowhere is Homme's tightly defined muscle felt as strongly as it is on "White Limo," a blast of heavy sleaze that's kind of a rewrite of "You Think I Ain't Worth a Dollar,” yet Grohl isn’t thieving -- he’s tweaking his frequent bandmate with a song that could have graced SFTD or Them Crooked Vultures. That sense of humor is welcome on Wasting Light, nearly as welcome as the guitars that ring loud and long. Things tend to crawl on the ballads, as they usually do on a Foos record, but these slower spots have a stately dignity that contrasts well with the untrammeled rock of the rest of the album. Perhaps Butch Vig -- working with Grohl for the first time since Nevermind (and that’s not the only Nirvana connection, as Krist Novoselic plays bass on “I Should Have Known”) -- should take some credit for the ferocious sound of Wasting Light, but the album isn’t the Foo Fighters' best since their ‘90s heyday because of its sound; it’s their best collection of songs since The Colour and the Shape, the kind of record they’ve always seemed on the verge of delivering but never have. ~ Stephen Thomas Erlewine

Portions of Content Provided by Rovi Corporation. (c) 2014 Rovi Corporation.

Marc Record

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1488869

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