Cover image for Hazel Scott
BIB ID#1298271
Call# B Scott C

Hazel Scott

Ann Arbor : University of Michigan Press, c2008.
xv, 277 p., [18] p. of plates : ill. ; 24 cm.
That marvel of marvels -- A world away -- Paraphrasing Rachmaninoff -- Women's work -- Crescendo -- Hazel's boogie-woogie -- Seeing stars -- Adam -- Fervor & the fury -- The Powells -- Black and red -- Notes of discord -- La paix de Paris? -- Saint Mary Lou -- Rondo -- Reverie.

Reviews and Notes

Summary/Annotation ->  

"Hazel Scott was an important figure in the later part of the Black renaissance onward. Even in an era where there was limited mainstream recognition of Black Stars, Hazel Scott's talent stood out and she is still fondly remembered by a large segment of the community. I am pleased to see her legend honored."
---Melvin Van Peebles, filmmaker and director

"This book is really, really important. It comprises a lot of history---of culture, race, gender, and America. In many ways, Hazel's story is the story of the twentieth century."
---Murray Horwitz, NPR commentator and coauthor of "Ain't Misbehavin'"

"Karen Chilton has deftly woven three narrative threads---Adam Clayton Powell, Jr., Harlem, and Hazel Scott---into a marvelous tapestry of black life, particularly from the Depression to the Civil Rights era. Of course, Hazel Scott's magnificent career is the brightest thread, and Chilton handles it with the same finesse and brilliance as her subject brought to the piano."
---Herb Boyd, author of "Baldwin's Harlem: A Biography of James Baldwin"

"A wonderful book about an extraordinary woman: Hazel Scott was a glamorous, gifted musician and fierce freedom fighter. Thank you Karen Chilton for reintroducing her. May she never be forgotten."
---Farah Griffin, Institute for Research in African-American Studies, Columbia University

In this fascinating biography, Karen Chilton traces the brilliant arc of the gifted and audacious pianist Hazel Scott, from international stardom to ultimate obscurity.

A child prodigy, born in Trinidad and raised in Harlem in the 1920s, Scott's musical talent was cultivated by her musician mother, Alma Long Scott as well as several great jazz luminaries of the period, namely, Art Tatum, Fats Waller, Billie Holiday and Lester Young. Career success was swift for the young pianist---she auditioned at the prestigious Juilliard School when she was only eight years old, hosted her own radio show, and shared the bill at Roseland Ballroom with the Count Basie Orchestra at fifteen. After several stand-out performances on Broadway, it was the opening of New York's first integrated nightclub, Cafe Society, that made Hazel Scott a star. Still a teenager, the "Darling of Cafe Society" wowed audiences with her swing renditions of classical masterpieces by Chopin, Bach, and Rachmaninoff. By the time Hollywood came calling, Scott had achieved such stature that she could successfully challenge the studios' deplorable treatment of black actors. She would later become one of the first black women to host her own television show. During the 1940s and 50s, her sexy and vivacious presence captivated fans worldwide, while her marriage to the controversial black Congressman from Harlem, Adam Clayton Powell, Jr., kept her constantly in the headlines.

In a career spanning over four decades, Hazel Scott became known not only for her accomplishments on stage and screen, but for her outspoken advocacy of civil rights and her refusal to play before segregated audiences. Her relentless crusade on behalf of African Americans, women, and artists made her the target of the House Un-American Activities Committee (HUAC) during the McCarthy Era, eventually forcing her to join the black expatriate community in Paris. By age twenty-five, Hazel Scott was an international star. Before reaching thirty-five, however, she considered herself a failure. Plagued by insecurity and depression, she twice tried to take her own life. Though she was once one of the most sought-after talents in show business, Scott would return to America, after years of living abroad, to a music world that no longer valued what she had to offer. In this first biography of an important but overlooked African American pianist, singer, actor and activist, Hazel Scott's contributions are finally recognized.

Karen Chilton is a New York-based writer and actor, and the coauthor of "I Wish You Love," the memoir of legendary jazz vocalist Gloria Lynne.


Locationsort iconCall NumberItem TypeVolumeBarcodeStatus
Langston Hughes Blk HeritageB Scott CAdult Hard CoverBlack Heritage0228511254788Available
Langston Hughes Blk HeritageB Scott CAdult Reference0228511254903Available

Marc Record

01758cam a22003494a 4500
081113s2008 miuaf bkq s001 0beng
$a 2008-011493
$a 9780472115679 (hbk.) : $c $29.95
$a 0472115677
$a 200811171624 $b kjoe $c 200811141547 $d ckim $y 200811131442 $z jlin $w UrbanProjDec08.dat $x 37
$a DLC $c DLC $d BTCTA $d YDXCP $d C#P
$a 786.2/165092
$a B $2 22
$a B Scott C
$a Chilton, Karen.
$a Hazel Scott : $b the pioneering journey of a jazz pianist from Café Society to Hollywood to HUAC / $c Karen Chilton.
$a Ann Arbor : $b University of Michigan Press, $c c2008.
$a xv, 277 p., [18] p. of plates : $b ill. ; $c 24 cm.
$a Includes bibliographical references (p. 259-261), discography, filmography, and index.
$a That marvel of marvels -- A world away -- Paraphrasing Rachmaninoff -- Women's work -- Crescendo -- Hazel's boogie-woogie -- Seeing stars -- Adam -- Fervor & the fury -- The Powells -- Black and red -- Notes of discord -- La paix de Paris? -- Saint Mary Lou -- Rondo -- Reverie.
$a A Dec08
$a Scott, Hazel.
$a Pianists $z United States $v Biography.
$a Jazz musicians $z United States $v Biography.
$a African American women musicians $v Biography.
$2 BISAC $a Biography & Autobiography / Composers & Musicians^Biography & Autobiography / Entertainment & Performing Arts^BIOGRAPHY & AUTOBIOGRAPHY / Cultural Heritage
$a CKIM/KJOE-CC:1108
$a VTLSSORT0080 0100 0200 0201 0400 0820 0821 0990 1000 2450 2600 3000 5040 5050 5990 6000 6500 6501 6502 6540 9950 9991