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SAWAKO NAKASU on
ECHO EGGEBRECHT

 
Sawako Nakasu
In the Form of 

One radiant night wall. Flowers quietly in the form of.  Minute locales which bring light, 
otherwise known as the place where beams go to rest. Who  watches as the night 
swallows what, each angle finds its place, and a clarified  exterior wells up out of the 
sudden stillness. 
       
Under each instance of arrival, an affordance of multiple  entries each, to the barn or to 
an internal weather that eventually gets forced out, shaped,  strung, freeze-captured 
before dropping to a ground called floor where there are  pieces of it, them, all fibrous 
pulp and lumber, an arrangement such that the snow, too,  originates in either tree.  
       
Hang, drop, return. That old-fashioned entry known, in some  geographies, as the exit. 
An unfinished abandonment against a wall called sky.  
 

Eggebrecht.jpg

 

Echo Eggebrecht
Barnswallow, 2006
Acrylic on panel
Collection of Vivienne Sharpe, Australia


| Eric Baus | Laura Solomon | Paul Killebrew | Hoa Nguyen | Sawako Nakayasu | Aimee Kelley | Noah Eli Gordon | Nick Moudry |
| Kary Wayson | Jeff Clark| Kristin Prevallet | John Olson | Sueyuen Juliette Lee | Joshua Marie Wilkinson |
| Sara Veglahn | Corinna Copp | Dorothea Laskey | Juliana Leslie | Monica Fambrough | Brad Flis |



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