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  JOSHUA MARIE EILKINSON on SAM PREKOP
 
Joshua  Marie Wilkinson

City, Phantom, Quays

Your  brilliantine, sickly, brings me 
               back &  this is a peculiar quarry
beveling  the ocean: a city coerced
               to renovate  our longing, or at least
withdraw  the news-carrying birds
               until the  stalled moon tries us on
in the  movie it’s making, making
               us hold so  still in the accordion-pulled light.
I am only  part of what comes back. In leaving,
               I am of the  bridges & overspill which reveal 
               the rivers  you yourself have been inscaping.
Naughty  quays, I am stooped like you 
               asked,  lying on the carpet of the bookstore now, 
gallons of  me cut quietly like a slough through
               locks.  
What I have  completed makes us both up
               into  dummies.  You are the horse traffic, I am 
               the  slipshod fortress.  
No more  boys.  No more night.
               No more  memory to replace the curtains.
No more  floorboards to wax or
               calumny  between us.  Another duskbat 
from your  trees develops as an insignia
               among the  children, the tugboats 
retire,  barges learn of us.
               The raised  graveyards, too, learn
of what  we’ve flooded or opened
           with the last  of our whispering & coins.

Sam Prekop, Committees, 2004

 

Sam Prekop
Committees, 2004
Oil on linen
Courtesy of the artist and Clementine Galler

   


| Eric Baus | Laura Solomon | Paul Killebrew | Hoa Nguyen | Sawako Nakayasu | Aimee Kelley | Noah Eli Gordon | Nick Moudry |
| Kary Wayson | Jeff Clark| Kristin Prevallet | John Olson | Sueyuen Juliette Lee | Joshua Marie Wilkinson |
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